#Nursery rhymes are easy

[sreepadamangaraj]

The most popular videos include the pope coming home, as well as a group of kids singing along to classic nursery rhymes. The videos are accompanied by colorful animations and fun sound effects. The videos are fun for kids of all ages and foster a love of music and learning.

[fishyfishyfishtimes]

Do you know much about the immortal jellyfish?

Probably as much as the average person! Well, besides the fact that I can recall its scientific name without looking it up, Turritopsis dohrnii (okay I admit, I put the “h” in the wrong spot). It can revert back to its polyp stage from its free-swimming medusa stage, which is super cool! But you must already know that, since you asked ^^’

[johannepetereric]

“🎼Heart and Soul...I fell in love with you🎼”

From what I have of the score sheet I just printed out, it seems that it the lyrics of “Heart and Soul” by Hoagy Carmichael is genderless. So if you wanna sing it to your trans S/O(s), you can without worrying about switching pronouns!😄

[smol-tired-binch-blog]

I have learned there is a collection of fairy tale-themed Hatsune Miku figures, it's so over for me

[monicascot]

أغنية عيني واوا بدون ايقاع | قناة نونو بيبي | Nono Baby

Hi, thanks for watching the video: Aini Wawa song without rhythm | Nono Baby Channel | Nono Bab

[slytherinshua]

BOY DAD INTAK

genre. fluff. headcanons. non-idol au but music-related/piwon related stuff is still mentioned!! warnings. pregnancy/parent/baby stuff. sooo messy i'm very sorry abt that. not proofread. pairing. husband!intak x fem!reader. wc. 1.1k. request. for @blue-jisungs <33 a/n. i wanted to finish this quickly esp with everything going on just so maybe u have smth to distract urself axe ☹️☹️☹️ i love u so much <33 net. @kstrucknet

When he finds out you’re pregnant he’s honestly so shocked

But a good shocked of course

Safe to say it wasn’t entirely planned sjdksjs 

You’re both still very young but even though it was unexpected Intak is ready to be a dad and super excited for it :( 

He’s the best at taking care of you during your pregnancy 

He always was when you were dating but he takes extra steps to make sure all your needs are met

He will always make sure you have whatever food you’re craving 

Plus he’s down to try the weird combinations as well

More often than not they taste terrible to him while you’re chowing down 

But he finds it endearing 

He’ll watch you eat from across the table with his head rested on his fist and a smile on his face

He keeps track of what meds you should be taking and reminds you when you forget

Although his work can keep him busy sometimes, he’d drop everything for you if you needed it 

He will always always make it to your appointments 

Just because he’s not the one growing the baby doesn’t mean he can skip out on any of the steps— it’s his child as well after all

And he makes sure to always answer his phone and check his texts even if you’re updating him about your day he’ll take the time to text you back 

He doesn’t announce that you’re pregnant to the other members until you’re well along in your second trimester 

But it’s met with excitement from everyone 

Probably a look from Keeho and a throwaway “aren’t y’all still young?”

But he’s over the moon excited to be an uncle trust he’s going to be present in the baby’s life

Theo would gift you all the practical things you could need like diapers, monitors, and bottles 

Once the baby arrives Jiung will probably meal prep some food for both of you (which you are forever grateful for) 

Soul finds the most interesting baby toys on the market but despite Intak’s slight judgemental look when he receives them, you think they’re all great

Jongseob is fully composing lullaby and nursery rhymes, except you’re a little unsure of how easy they are to follow once he throws in complicated rap rhythms 

Keeho’s proud of Intak and excited for you— he knows you’ll be the best parents

But as the leader, he’s also more than eager to help out wherever you need it, especially with cleaning or just little things to help you destress when you need it, mainly during postpartum :’)

Intak is extra clingy while you’re pregnant, especially when your bump starts to show

Even if it’s only been a few days since it was visible, he is all over you

You probably receive a million kisses a day, and trust his arms are always wrapped around your waist, feeling your bump with that proud dad smile on his face

Always says his son is gonna have the coolest dad ever, and you can’t even argue with him because you do think Intak is gonna be the coolest dad ever

And when your son arrives, Intak couldn’t be prouder

Definitely cries holding him for the first time, and is probably very emotional the first couple of days

But he is also your biggest support

He’s doing absolutely everything he can to make sure you can rest after delivery; seriously won’t let you lift even a finger

He shows you off even more than before, he just thinks you’re so incredible and amazing for everything you’re capable of, and how good of a mom you are

He’s more in love with you than ever

Each milestone your son reaches is so important to Intak, from his first smile, to his first word (which he’s proud to say was “dada”), to his first steps and first day of school

Intak is one of those dads who is constantly giving all his friends and family updates about your little ones and sharing cute moments of his son with him

He’s so close with his son, and you’re always happy to see them spending time together

Of course, he’s gonna raise his son right!!

From an early age, he’s always talking to his son about doing things for mom; whether it be cleaning the house cause you had a long day, planning a surprise date cause it’s been a while, or buying you flowers because it’s mother’s day

Doesn’t matter if your son can’t even talk yet, Intak will still be talking about every occasion that is important to you

And they plan all the special things together <3

Dressed up in matching suits for your first mother’s day, and your heart melted :(

Intak includes your son in everything, and they just make the best duo, you couldn’t be happier to have them in your life

Date nights with Intak used to be a super regular thing in your early marriage, but it becomes pretty tricky with a kid to manage

You rely on Intak’s friends to babysit a lot, especially Keeho and Theo who are more than happy to compete for best uncle award

You can usually sneak in at least 3 dates per month amidst your busy schedule <3

Intak is the best person ever to comfort his son and also to give the best advice

He’ll always wipe his tears and assure him whenever he stumbles, especially as a toddler/little kid around 2-6

He’s always telling his son how proud he is of him and how he can do anything he ever wants to and be backed by his dad

As your son grows older, Intak gets a bit more emotional about it

Because he’s not as small and dependent as he used to be :(

Especially at around age 5-6, he’s really getting out of his shell, and Intak feels bittersweet about it

Of course, he’s beyond proud of his son for making new friends and trying out new things by himself with the introduction of school

But he also misses those more quiet days when it was just you two and your baby doing everything together :(

Your son starts to develop some of Intak’s habits, and you find it so cute how he’s becoming a little carbon copy of his dad

They share the same interests and can always be found playing together

Definitely starts enjoying music with his son really early on and is always dancing and singing/rapping with his kiddo <3

And also loves to get into sports with his son and compete (although he’ll almost always let his son win)

You find it incredible how they can stay entertained together for hours

Of course, Intak doesn’t have endless energy like his son does, but he still somehow keeps up just running off of love and pride for his kid

Best boy dad you could ever ask for !!!

↳ p1harmony taglist (bolded could not be tagged): @eternalgyu,, @kangtaehyunzzz,, @amara-mars,, @nyukyusnz,, @blossominghunnie,,

@wccycc,, @seunghancore,, @sobun1est,, @bananabubble,, @talkingsaxy,,

@cupidslovearrows,, @50-husbands,, @hursheys,, @mjupis,, @stannwjnss,,

@gong-fourz,, @forever-atiny

[thedinanshiral]

In preparation for The Veilguard i'll be exploring some of the companions we already have information on from other Dragon Age media. I'l start with Lucanis Dellamorte, who already had an impressive introduction in the story The Wigmaker's job from Tevinter Nights, and an implicit silent role in the short story The Wake.

Lucanis Dellamorte, Master Assassin of the Antivan Crows. Grandson of Caterina Dellamorte, First Talon of the Antivan Crows, and chosen by her to succeed her.

His cousin Illario Dellamorte whom he often works with might resent him a little for being the favourite but Illario is Lucanis' favourite to succeed as First Talon, as he's got the "silver tongue" required for the politics of it Lucanis does not.

Both of them are described as lean with dark hair and umber eyes; Lucanis is described as "the kind of man you couldn't look away from- until he looked at you".

Despite the abuse from his grandmother during training that caused him to hate her, now in his adult years he understands her motivation was preparing him for this life, and while on the job still recites to himself the same nursery rhyme she did when they were children. It goes:

One for silence Two for surprise Three for good measure Four's excercise Five for a slaughter Six for the thrill Seven means more sovereigns Eight marks the final kill

Seems it's a rhyme reminding how many extra kills are necessary/acceptable in a mission that didn't call for them? But while Illario also remembers it they don't make any other comments on it.

Focused, centered on duty, Lucanis never misses the mark. He carries multiple knives, daggers and blades he takes care of personally and carefully. Mostly seems to take contracts on Venatori and Tevinter mages to the point he's grown acostumed to their magic and can sense them pulling at/tunning into the Fade. Yes, he can sense where the Veil is thin. The way in which he senses a mage using magic is as an itch behind his eyes, or as an annoying headache. The worse the headache the more magic is being used. He can track Venatori mages by headache alone.

He's not just a killing machine, he also knows his enemy's ways, in this case knowing such a corrupt mage would have to have an artifact in use to keep demons at bay. When he found and destroyed said artifact demons crossed the Veil and destroyed the wigmaker's party. This event is what earns him the nickname "the Demon".

As good as he normally is in this contract he let his personal feelings and morals interfere and rather than fulfilling the contract he prioritized the slaves escaping and the victims getting justice in the form of vengeance, considering what the wigmaker Ambrose had done didn't make him deserving of an easy death. A Magister named Zara Renata ends the story deciding, since the Crow is now a Demon, that since demons can't be killed but controled, and Lucanis showed his weakness -having a heart - , she'll find a way to manipulate him to her benefit.

In the short story The Wake Crows Viago and Teia drag a drunken Illario back to his room after someone's funeral and by Illario's comments seems the deceased was Lucanis. Illario says they were brothers more than cousins, and now in his absence he has no one to follow. He mentions as a child one time Lucanis read a book about wyverns and became obssessed with wyverns, took him hunting and both returned to their grandmother made an absolute muddy mess. It's curious how as affected as Illario is the other two Crows seem very much not, so an alternative intepretation could be the one who passed is Caterina, their grandmother, and now Lucanis is First Talon so Illario is lamenting their relationship won't be the same, at the same time he's lamenting he wasn't the chosen one, when he bitterly says "It should have been me".

Some colorful notes sprinkled here and there: when asked by Illario what he'd do if someone sees his face and talks, Lucanis says he'd just grow a beard. Seems he did:

In The Wigmaker's job when Illario complains about not having being told the specifics of the contract it's revealed Lucanis did inform him via a dossier he wrote himself. This coupled with his childhood wyvern obssession and the rest of his personality presented in Tevinter Nights tells me he's very possibly ND on some level.

During The Veilguard reveals we learn from devs that Lucanis likes coffee and is a good cook. His writer Mary Kirby confirmed on Twitter his VA is good and Lucanis will have an accent like previous Antivan characters did (Zevran, Josephine), said he is "the sole dumpster fire of the crew" and that she wrote him "specifically to be a bisexual disaster of a human" (source). In Tevinter Nights Lucanis recalls he once found himself walking into an orgy during a contract at a party and i quote, italics included "Getting out of that had been interesting", implying he may have joined in some capacity in order to get out of it.

In his companion tarot card we see his colors are black and purple, the backdrop is a stylized design of crows and behind and around Lucanis there's a purple design that looks like a wing made of eyes.

The pauldrons on his outfit also have a design of many eyes.

The back of his outfit has a bird -crow?- design as well, with a bigger single red eye

And it's not known yet how but during combat that part of his outfit projects a pair of purple wings.

This is likely how that ability looks in combat menu

Because of the purple and the eyes motif plus learning he's known as "the Demon" has made some very excited at the possibility he turns out to be possessed by a Pride demon. But as it turns out, knowing how this Demon nickname came to be, and that he's a Crow, spies and assassins who have "eyes everywhere", plus this wings combat ability i think it's safe enough to say no, he's not possessed, he's not another Anders, if there's a Pride demon walking around looking like a man that's more likely to be Solas than this Antivan handsome man.

Another detail is the other crow motif on his clothes, i think these are rather cute

Because of The Wake some propose Lucanis died and a demon rose him back from the dead or that he's possessed by a Pride demon because purple and eyes and all that, but as i proposed back in 2020 chances are Lucanis faked his death to escape his fate as successor to a position he had zero interest in, a role that was being pushed and forced on him with absolutely no consideration to his feelings or thoughts on the matter, or he is now First Talon, reluctanctly. Considering he thinks simply growing a beard is disguise enough and now in The Veilguard we see him with a beard tells me he is in fact hiding his identity to some, either because people think he's dead or because he doesn't want to be identified as the current First Talon.

[casdeans-pie]

Did somebody say snippet from my current wip?? Misuse of prayer anyone????? I just wish I could get to the part where Cas says, "I really don't think you would want to be doing this with your brother in the room." because Dean is inadvertently doing the angel equivalent of whispering intimately straight into Cas's ear. Angels are so goddamn weird and I cannot wait to write this whole thing.

---------

Boredom itched under Dean's skin. He hadn't even registered most of what he'd read on the last few pages, just turned over onto a new one every minute or so. His head sat heavy in his hand, elbow planted onto the table next to his book, and he had to resist the urge to yawn as he turned another page.

Dean glanced up at Sam, sat further down the table, with his nose pressed down close to his own book. If Dean had any hopes that Sam might be struggling to concentrate as much as him, he didn't see any evidence of it.

Cas, of course, looked as interested as he always did. He sat directly opposite Dean reading a huge book with an intensity in his expression that would be the same whether he was reading apocalyptic scriptures or nursery rhymes. A fond warmth settled in his chest.

Dean tried to follow their example and return to his own research, but after only a few minutes his leg began to bounce.

Eventually his mind wondered to the book that he'd been writing himself. It had been difficult to think of how he could write a book on Angels and get the information that he needed out of Cas without telling him about it. But a silent room, with all of Cas's focused attention on something else, felt like a perfect opportunity to get some material on prayer...

Dean tried to clear his mind (easy enough, not like he'd been paying any attention to his book) and had to resist the urge to physically clear his throat before starting.

"Cas," Dean thought, trying to make it loud inside his own head.

Dean peeked up, but Cas had had no reaction. Dude didn't even blink.

Huh.

Either his poker face is just that good, or it hadn't worked.

Thinking it loudly wasn't the same as praying, Dean supposed.

He breathed out slowly and stared at Cas, drinking in every detail of him. Praying meant faith, right? He had that. He absolutely had that. More fucking faith in Cas than anyone in the whole world.

"Cas..." slipped out of Dean's mind in a whisper, a plea, a declaration of that unwavering faith.

Cas gasped and jumped so violently that his knees slammed against the underside of the table.

"Cas? You okay?" Sam called over, concern pinching his eyebrows together.

Cas stared intensely at Dean, eyes narrowed, and he didn't even look away as he replied, "Fine, thank you, Sam. I... read something shocking in this book."

Sam looked unconvinced and switched his attention to Dean.

Dean shrugged in a you-know-what-Cas-is-like way, and eventually Sam returned to his book with a long suffering sigh and a small shake of his head.

Cas looked like he was trying not to react, but Dean knew by the hard line of his mouth that he was deep in thought, probably unsure if he'd heard anything at all. Dean had to smother a satisfied grin.

The prayer worked!

"Cas!" Dean prayed again, digging even deeper into the well of faith he had in his best friend.

This time Cas's eyes snapped open and his whole body jolted, as if he'd been struck by an electric current.

"Cas, this feels really weird and I'm not even sure I'm doing it right - but uh, this is a prayer to you, blink twice if you can hear me..."

Cas bowed his head, took a deep breath, and gripped the edge of the table.

Maybe he hadn't heard that time? Dean settled himself into his chair and tried to really think about what Cas meant to him - and how despite everything they'd been through he wouldn't hesitate to trust him with his life.

Amongst the certainty of his belief there was something tangled up in it all that felt much warmer and softer and sweeter. He tried not to examine it too closely, but some of that delicate warmth leaked into his internal voice when he prayed, "Castiel, Angel of Thursday, best buddy - breaker breaker, come in, can you hear me? I feel kinda dumb doing this, but... just give me a sign you're even getting any of this? Over."

For a second nothing happened, and Dean wondered if he'd screwed it up by throwing in the two-way radio stuff.

Dean placed his palms together under the table, wondering if that would help too. "Oh, right. Uh- amen."

Suddenly the lights above them buzzed and flickered dramatically, while a lamp in the center of the table popped and went dark.

Cas bent over even further, touching his forehead to the table, and let out such a long, loud breath it was almost a groan. He stood up from his chair so quickly it clattered backwards and he rumbled a quiet, "Excuse me," as he swept out of the room, before either Winchester could react.

Sam looked at Dean sharply.

Dean threw his hands in the air. "What?"

"Whatever you've done, go fix it."

"I haven't done anything!" Dean said on impulse, but his heart raced in his chest and the back of his neck burned just remembering that low, tortured sound Cas had made before his swift exit. The lights had returned to normal, but the casualty of the lamp bulb lay in shiny shattered pieces on the table. "Okay. Maybe I did do something. I'll go check on him."

[pfhwrittes]

prompt: gaz and ghost on overwatch, watching soap talk to their contact on the ground, and roasting him alive on comms. just stepping on his neck nonstop. soap can hear them but can't react because the contact spooks easy -391780

@391780 i LOVED this prompt. nothing makes me happier than Ghost and Gaz banter (there's so much of it in the drafts for misery and festivals). hopefully this little blurb satisfies the prompt!

-- “Permission to speak freely, sir?” 

Soap’s earpiece crackles as Gaz opens the comms, distracting him for a second from the twitchy man in front of him. 

“Go ahead, sergeant.” Ghost rumbles.

“You ever realise that Soap stands with his hip cocked?” Soap can hear the shit eating grin in Gaz’s voice. The sleekit wee bastard. 

“Hm. Looks like a teapot.”

“A teapot, sir?”

“Like the nursery rhyme.” 

The comm crackles again as it cuts off Garrick’s stifled chuckle. 

Soap shifts his stance, subtly redistributing his weight to rest evenly and bringing his hands up to loop his thumbs into the shoulder straps of his vest. There, now he can’t be called a fuckin’ teapot. The informant flicks his eyes over Soap warily. 

The comm clicks on again.

“Think he heard us, sergeant?” Ghost asks, amusement lacing his tone.

“Can’t be sure sir, it appears Cap has taken Soap’s place temporarily.” Gaz’s voice wobbles with repressed laughter. 

“Can’t see it myself, Garrick.”

“Why’s that, sir?” 

“Doubt Price would dare show ‘is face if he had a mop like that on his head.” Ghost deadpans. Soap feels his eye twitch as Gaz chokes back another burst of laughter. Cheeky fuckin’ cunts. 

“Looks -” Gaz cuts off the comm before flicking it back on, “looks like he lost a fight with a pair of clippers -” the comm cuts off again and Soap swears he can hear Gaz wheezing somewhere above him. 

Soap moves one of his hands to scratch at the back of his helmet with his middle finger, aware of the way the informant tracks his movements. If those pair of wallopers blow this op, Soap swears to himself that he’ll dye every single one of Ghost’s balaclavas pink and sew a Saltire on the front of Gaz’s cap in place of the Union Jack. 

Abruptly the tone on the comms change. 

“Garrick.” Ghost snaps, the teasing lilt to the banter is gone and in its place is the hard tone Soap’s heard before when things are about to get dicey. 

“I see ‘em.” 

“Keep them in your sights, I don’t like the look of -” whatever Ghost doesn’t like the look of gets cut off as an explosion sends a shockwave of sound and dust over Soap, forcing him to cover his head from flying debris. 

- 

Much later when the three of them are getting chewed out by Price for “missing a whole fucking truckload of insurgents because you three were too busy dicking around on the bloody comms” Soap decides that his little sewing project isn’t nearly enough in the way of payback.

[augustjustice]

Sharing Smokes Outside the Snow Ball

AO3 Link

It's the Winter of 1999, and Steve Harrington and Eddie Munson are standing outside the Hawkins Middle School Snow Ball, sharing a smoke.

Eddie can't believe he's back here, the whole thing feeling nearly as surreal as that nightmare, wayward Spring Break over ten years ago. He'd barely made it out of that hell hole alive, Steve himself practically having to hold Eddie together as they made their way from Forest Hill to Hawkins Memorial Hospital.

Spring had turned into summer, sweltering and oppressive as Eddie slowly, painfully healed.

There had been bright spots, though. Watching Lucas and Erica squabble during the one-shot campaign he had cooked up just for the party that June. Evenings out beside the Harrington's temperature controlled pool, beer bottle sweating in his hand as he traded a joint back and forth between Argyle and Jonathan, the sound of Robin's cackle loud and bright as she managed to hipcheck Steve into the pool. Steve's own blinding smile--a longtime feature of Eddie's secret high school fantasies--being turned on him the first time he made it from the front doors of the physical therapy clinic to the passenger side of his BMW, without needing any help at all.

But then summer had ended, and Eddie, finally back together again like a character out of a children's nursery rhyme, had packed up his van and headed straight to Chicago, not looking back.

Sure, there'd been post cards sent, phone calls to Dustin and the other Hellfire brats, promises to see everyone soon. Promises that Eddie couldn't keep, even if he wanted to.

Not when he didn't dare set foot in Hawkins, not ever again.

Then, over a decade into his second life as a struggling guitarist by night, record shop employee by day, his cousin Brooke had landed on his doorstep, looking too tired and too young all at once, a bruise around her eye. Behind her, her eleven year old son was studying the apartment hall's tiling.

"I left him." Eddie didn't need an explanation for that one. Her good-for-nothing husband, Nash. "Jake won't be any trouble, he just...needs a place to stay, while I get back on my feet. Somewhere his daddy can't find him. Just for a little while."

Eddie thought of his Mama. And then he called Wayne.

"Shit, Uncle Wayne, I--don't know what to do."

"Come on home now, boy," Wayne said, easy as anything, like Eddie had left only yesterday. "Come on back home."

So Eddie had.

That had been six months ago. And now he was standing in the aforementioned middle school parking lot with Steve 'the Hair' Harrington, while their kids--and wasn't that just a fucking head trip and a half--danced the night away.

"I keep half expecting Click to round the corner screaming my name," Eddie admits as he gives Steve a light. "Remember junior year, I sold to you in the alley behind the gym? Old bat nearly got me that time."

"Remember? I literally had to shove that joint down the front of my shorts, dude," Steve admits, which draws a snort out of Eddie to match his own chuckle. "Most of the guys on the basketball team couldn't move half as fast as you did that day. You practically vanished into the woods before she even made it to the stadium. Totally shoulda gone out for the track team, Eds."

Eddie clutches his chest, as though he's been shot. "Don't speak such blasphemy to me, Harrington."

"Yeah, well, you can quit worrying. Pretty sure she finally retired," Steve tells him, taking a long drag before he's passing the cigarette back to Eddie, even that brief touch enough to send sparks of electricity up Eddie's arm. Then he shoots Eddie that charming, infamous Harrington smile, boyish and cocky, the one that says he's used to getting exactly what he wants. "Even if she's not, I'm head of the PTA. If Higgins tries anything, I'll just threaten not to bring cupcakes to the next bake sale."

"Harrington, my hero," Eddie fakes a swoon, collapsing for a brief second against Steve's shoulder, an excuse to get close.

The theatrics get no rise out of Steve beyond an amused smirk. Even after all these years, he's still used to Eddie's antics, it seems.

"You know, it was total déjà vu," he nods to the middle school gymnasium, all decked out in blue and white, "dropping Sam off here."

Though he's actually gotten to know the Harrington offspring in person since he's been back, Eddie had received the rundown from Dustin and the others on Steve's journey to dadhood in their scattered calls over the years.

The December after Eddie had left, Steve had met a girl, taken her out on a few dates, and accidentally gotten her pregnant.

With Samantha, a name Dustin had proudly persuaded Steve into as the little girl's godfather. Every bit as adorable, now that Eddie had seen her, as the gushing picture the party had painted for him, all big blue eyes and wavy chestnut hair just like her father's.

Steve had gotten down on one knee long before she was born, determined to tie the knot and do right by her mother nearly as soon as he'd heard the news.

The pair had been divorced not even two years later.

"I don't think they were ever really in love," Dustin had informed Eddie one sunny afternoon impromptu of nothing, as always blunt in his honesty. "But you know what Steve is like. He's a hopeless romantic."

Eddie didn't, not exactly. But he's gotten enough glimpses, both back in '86 and much more recently, that he's starting to put the picture together.

Steve draws Eddie out of that particular reverie with another bright laugh. And then he's recounting the memory of Dustin's hair, done up in the infamous Harrington 'do, as Steve pulled up in front of the '84 Snow Ball playing chaperone in his trusty Beemer, long since traded in for the much more affordable sedan he's driving now.

"I demand photographic evidence, Harrington," Eddie insists, smile crooked, that distracting dimple appearing in his right cheek, "you can't conjure up an image like that and then not fork over the goods."

"Hey, man, talk to Dustin. Mrs. Henderson took like...a million pictures that night," Steve laughs.

But he's already mentally going through the album tucked away on a bookcase back at home, positive he's got his own photo to show for it. It'll make for a nice excuse to invite Eddie over for dinner one night.

The subject turns then to their own checkered experiences with school dances.

"Class of '85, baby! That's when they made your 'King Steve' title official," Eddie crows, teasing as he taps Steve once on the nose.

Steve goes a bit cross-eyed, following the movement of his finger.

"Yeah, well, talk about a total let-down of a night. I didn't even bring a date," Steve admits, tone blasé. The truth is, his entire senior year had been something of a disappointed trudge towards graduation, a walk he had taken mostly alone. There had been bright spots--the little band of miscreants he'd fallen into babysitting, for one--but they had all been far outside the walls of Hawkins High. "I'm guessing you weren't around for that? Not really your scene, especially with the Munson Doctrine's strict rules about 'forced conforming.'"

He puts Eddie's words in deliberate air quotes, his turn to give him a teasing smile.

"You're wrong about that one, big boy. I saw them, adorning your glorious locks with the crown." That mischievous smile is back. "We're not that old, dude, don't tell me you already forgot the whole 'prom streaking' incident?"

Eddie shoots him a loaded, deliberate look.

"Wait a minute, wait a minute." Shaking his head with a laugh, Steve waves his arms in front of him, like he's calling a time out. "You've gotta be fucking kidding me. That was you?"

"The one and only. What can I say, Jeff and Gareth dared me. Besides, by that point," Eddie shrugs casually, "I already knew I didn't have a shot at graduating anyway, so. Thought I'd close out the year with a bang."

"You've seriously never considered doing anything halfway in your life, have you, Munson?" Steve asks, giving Eddie's shoulder an almost exasperated nudge, smile fond in spite of himself.

"Absolutely not, Stevie boy. Life's too short. Where's the fun in playing it safe?"

Eddie swings into Steve's space, then, dark eyes sparkling. Goading and flirtatious. Just like when they were teenagers, thrown together in the worst of circumstances but making the best of it, before time and pain and trauma put all that distance between them.

And if Steve's eyes drop down to Eddie's lips as they share air, slow enough it can't be anything but deliberate, and their fingers brush just a tad too intimately the next time they trade the cigarette back and forth...well. They've got a lot of lost time--and shared smokes in school parking lots--to make up for.

[sreepadamangaraj]

A new song from Marah KG and the Baby in which children learn a variety of words in both Arabic and English and how to have a conversation with others

[the-northern-continent]

Rhythm and Breath in Dragon Age: Inquisition

Inquisition plays around with a couple recurring rhythms:

iambic pentameter (dagger skill tree, Maryden)

trochaic tetrameter (Saga of Tyrdda Bright-Axe)

the cadence from the song Hallelujah (Solas)

Many folks have already written technical comparisons of these different rhythms, but I specifically wanted to talk about how they handle breath.

Without even paying attention to the word content of these rhythms, the breath patterns help set the mood. Are my breaths regularly spaced? Am I gulping for air? Am I breathing slowly and calmly?

As we go through the different rhythms, try reading them aloud to see where your breath lands.

Iambic Pentameter

Iambic pentameter is a five (penta-) foot meter, where each foot is an iamb. An iamb is a two-syllable “da-DUM” sound, an unstressed syllable followed by a stressed syllable. So each line has 10 syllables total.

Here’s an example from the dagger skill tree, with the feet color-coded:

You leap through shadows to attack your foe

With deadly strikes that hit them from behind.

Before your target turns to face your blow,

You move to stealth, impossible to find.

If we read this aloud, we find that 10 syllables is a lot! There are very few mid-line commas, so we naturally want to breathe between lines. But each of those breaths needs to last for ten syllables. If we don’t want to pass out, we’re reading the lines a bit faster than we normally would.

The iambs add even more forward momentum. Since we need to save more breath for the second syllable in each pair, we hurry slightly faster over the unstressed syllables.

Because we keep repeating that same syllable count and stress pattern, the overall effect is one of speed and precision. This is a rogue rapidly making blow after blow after blow with their daggers, hitting every single time. This is Maryden rattling off each sentence with perfect poise and musical training. There’s no time here for thinking; no room for mistakes. The next line is going to be ten syllables too. And the next. And the next.

Trochaic Tetrameter

By contrast, the Saga of Tyrdda Bright-Axe only has 4 (tetra-) trochees (DUM-da) per line. On every other line, the final unstressed syllable is dropped (catalexis).

That’s a lot of jargon, let’s color code the feet:

Tell the tale of Tyrdda Bright-Axe

mountain maker, spirit’s bride:

Free, her people, forged in fastness

made in mountains, hardy hide.

This is a classic meter, often found in nursery rhymes and folk songs. Because there’s only 8 syllables per line (plus lots of mid-line commas), we can read each line at a casual pace, without speeding up. The catalexis adds extra emphasis to the rhyming lines, since we get to the last (7th) syllable with more breath to spend. And even within each foot, we don’t have to manage our breath as much, because the stressed syllable comes first.

This creates a comfortable rhythm that lends itself to memorization and recitation. We can easily imagine this saga being passed down beside a campfire.

Hallelujah

Since the Hallelujah cadence comes from music rather than poetry, it has an additional kind of stress, the mid-measure secondary stress.*

We don’t exactly have feet, but we can color code each measure:

I lay in dark and dreaming sleep

while countless wars and ages passed.

I woke still weak a year before I joined you.

For the first two lines, each measure is 4 syllables long, so we get 8 syllables in each line, similar to the Tyrdda poem. If we read it aloud, it’s easy to do it slowly and thoughtfully. The secondary, quieter stresses also create an echoing effect, which emphasizes that Solas is thinking about the past.

Then the last line goes absolutely bananas. It abandons the unstressed-stressed repetition and gets much longer, flying up to 11 syllables — even longer than the 10-syllable lines in iambic pentameter.

Additionally, Solas tends to glue the first two lines together, which is SIXTEEN syllables, so they sound closer to an octameter** than the tetrameter(ish) sound of the original song.

The overall effect is of someone trying to be measured and thoughtful, but partway through he gets hit with nostalgia and the lines spill out in a long breathless rush. Bro has to speak quietly so he doesn’t totally run out of air.

*Music theory sidebar: Leonard Cohen’s original version is in 12/8 time, so the secondary stress isn’t as prominent. It shows up in one or two verses, but not all. A lot of the subsequent covers, including k.d. lang’s, sound more like 6/8. That means every measure has a 2-beat count: 1-2-3 4-5-6. I think the 6/8 version fits Solas’ speech pattern a bit more. But he’s not singing, and secondary stresses are harder to place. Syllables don’t have to align 1:1 with melody notes (in fact, in Hallelujah there are several places where the syllable alignment changes from verse to verse). So someone else could easily hear a slightly different stress pattern.

**This implies a cursed version of Solas where the last line is omitted and he’s actually syncing his speech to Modern Major-General.

[maxwell-grant]

“What's impressive?! I've been a boy this whole time!”

(Spoilers for Puss in Boots 2: The Last Wish)

Big Jack Horner was delightfully wretched and felt a lot like he was a Shrek villain stuck in a Puss in Boots movie and it made for a really interesting contrast, with everyone else in the forest going through swashbuckling adventures of personal growth and companionship, while he’s cheating and steamrolling his way through everything with darkly comedic brutality, quite literally pulling Shrek gags out of a bag as he just kills and burns and stomps his way through the magical wonderland.

It’s like he was designed to be the Final Boss of Shrek, except there’s currently no Shrek movies for him to be in so, into the Puss in Boots sequel he goes, almost like this dark embodiment of the shadow cast over the Puss in Boots franchise that it must surpass (and somehow did). He just does not play by any of the same rules everyone else does and it’s great, it lets everyone look better by default. It lets the Puss vs Death story play out in all it’s poetic glory but still gives the movie a proper bastard for everyone to gang up on. I didn’t think of that at first, but I’ve read some comments and wonderful analysis commenting on Jack Horner as a extended pisstake on Disney, an update of Lord Farquaad for modern times, and it’s an analysis that makes a lot of sense.

In that regard: while this couldn’t possibly have been intentional given their release dates so close to each other, I do think it’s pretty funny that Jack winds up connected to Pinocchio, a character who had having a rather busy 2022 if you can tell. Not only is he followed around by a bootleg Jiminy Cricket, but we see that Jack, who was extremely well-off and spoiled throughout his entire life, bears an incandescent bitterness against all magical creatures (and Pinocchio specifically) for taking attention away from his roadside show, which consisted entirely of him reciting his nursery rhyme over and over (even his family was shown bored by it), and so that’s why he wants to own ALL the magic in the world: so that nobody else gets any.

He, who already owns a massive empire and business and land and literally endless collections of powerful magical artifacts he can use to achieve anything he wants a trillion times over, who doesn’t even know what most of what he has does or is worth, is driven by the fact that Pinocchio upstaged him once,

and so nobody else should get to do anything like that ever again.

(Again, not saying this was remotely intentional, just a funny coincidence)

Also wonderful how his ultimate undoing comes from said bootleg Jiminy Cricket, one of the countless employees he’d abused and crushed over the movie, finally having enough and sending him his incendiary “resignation letter”. 2022 saw the year end with a movie where Jiminy Cricket ends a titanic corporate manchild’s reign of terror and life by setting a magical contract map on fire and freeing everyone from it.

It doesn’t even register as one of the best things about the movie only because the movie has SO many best things going on, that it can just casually work in one of the funniest Shrek subplots of all time like it’s easy. Still shocked at how good this film was and how much life they injected into it, perfect movie to end or start the year with.

[monicascot]

The song of the baby and the door 2 and the group of songs of the baby | Marah KG channel

مرحبا بكم في قناة مرح كي جي! في هذا الفيديو سنغني أغنية البيبي والباب ومجموعة من أغاني الأطفال. انضم إلينا ونحن نستكشف عالم الموسيقى الممتع والمثير مع أغاني الأطفال الكلاسيكية المفضلة هذه. من خلال المرئيات المفعمة بالحيوية والملونة ، سنحرص على جعل أطفالك الصغار يغنون ويرقصون معًا. انضم إلينا الآن ودعنا نحظى ببعض المرح مع هذه الأغاني الكلاسيكية!

[stereotypicalswiftie]

Tattoos I think the marauders era characters would get

James: Sad star and happy star! he would get Sirius and Reg to hand draw them, Reg would try over and over to make it perfect but it would still turn out wonky. James doesn’t mind, he loves it all the same

Sirius: moon phase tattoo on his spine. He would get it as a surprise for remus, he wouldn’t even tell him about it afterwards. Remus only finds out once he has Sirius bent over…

Regulus: Sun tattoo on his lower back. Right where James likes to place his hand when they’re walking together. Of course the tattoo only makes James do it more often which was the intended result, even if regulus would never admit it

Barty and Evan: Rings. They both didn’t like the idea of a wedding band. It was too easy to lose, they wanted something permanent, and what’s more permanent than being etched into each other’s skin?

Lily: a lamb!! It was a joke that mary had started when lily was pregnant. Whenever she spoke to her bump, she always referred to the baby as her little lamb, a reference to the nursery rhyme both lily and mary loved as children. Even after harry was born,mary only referred to him as such. Lily’s tattoo was a tribute to her lover and her son

James (pt 2): water lily!! Sirius and James made a bet, loser had to get a drawing of harry’s tattooed. James lost (of course), and harry drew a picture of water lilies cuz they had the same name as his mum

Barty and Evan (pt 2): bite mark tats. Thats it.

Remus: Sirius’s kiss mark on his hip. Sirius had kissed him, he loved the mark so much he kept asking Sirius to redo it daily. Eventually when his birthday comes around, Sirius books him an appointment so they can find a more permanent solution. Its remus’s only tattoo but he couldn’t imagine getting one he loved more

[not-poignant]

Raphael has a very poetic and grandiose way of speaking that is absolutely not the norm for day-to-day life. How do you get in the mindset to come up with his dialogues? They're perfection and I just can't even imagine how long it would take to do one paragraph of the way he talks, but you're writing an entire story with him...

Oh I love this question because I can answer it, lol sadlkjfsda

Okay so, Raphael's character is tough for me.

Normally I do a lot of dialogue research before starting to write a character in fanfiction and original fiction, but Raphael actually gets proportionately very few lines that really show his full emotional range (compared to say, Astarion), and he's got an incredibly specific way of talking that sounds similar to Astarion but at the same time is very different.

They share enough similarities (calling people darling and dear for example) that it's easy to fall into the trap of giving them the same 'voice.'

I find Astarion's voice a lot easier to 'get' and I feel like I can hear him better when I'm writing him. But Raphael I'm taking into emotional spaces we simply never see in the game, and then I have to really guess how he'd sound (like coming up with the idea that the theatricality vanishes when Raphael is genuinely panicking).

I ended up listening to a lot of interviews with Andrew Wincott, the Voice Actor for Raphael who is an incredible actor and extremely articulate. He was very clear in one of his interviews that one of the reasons he was selected to play Raphael was because, in part, he already sounded like him. Obviously there's differences / skill in changing cadence and more, but for the most part, Andrew Wincott uses similar vocabulary and talks in a similar manner to Raphael naturally, so I had an abundance of interviews that I could then listen to in order to get a feel for Raphael's voice. I picked the things that felt more 'Raphael' and added them to my dialogue notes.

I often have to go back and edit Raphael's dialogue. Sometimes it's very simple things, I had him say 'much more' in the chapter I'm editing right now, and I edited it to 'far more' because I think he'd just phrase it like that. Sometimes I expand a sentence into an entire paragraph.

I've also leaned a lot from Korilla's transcripts in the game, which have been super useful. They really cement, more than anything, how much he loves lullabies, nursery rhymes, children's tales and more.

HOW TO DO DIALOGUE RESEARCH:-

If you're new to dialogue research, it mostly involves listening to - and watching a character and then literally taking notes of how they talk. The things you observe are:

The tone of their voice - Fast or slow. Loud or soft. Musical or flat. Theatrical or matter-of-fact. High or low. Questioning or complete statements. Considered or hedging (i.e. very well constructed sentences, or a lot of pauses, ellipses, broken sentences). Rambling or concise.

How often they talk - Some characters actually say a lot with very little. Raphael is actually a lot of observation and facial expressions and eyebrow movements in between his dialogue. Little smirks, hand gestures and more. Do they interrupt or let people finish their sentences? Are they comfortable with silence? I find Raphael oscillates between long theatrical paragraphs, single sentences or words, and then a lot of silence. He's actually not very conversational, in that you can have a conversation with him, but I doubt he'd see the point of two hours of small-talk. (At this point you might be realising that dialogue research is also character research, how a character talks tells you so much about a character.)

The words (and metaphors/subjects) they use - This is a big one and I'm going to break this down a little bit more:

How they pause if they don't know what to say. Is it 'um' 'uh' 'ah' 'hm' 'mm' 'mn' or nothing at all (or something else) because they've mastered self-control over their dialogue? If Raphael says 'ah' he does so on purpose.

Filler words. Things like characters saying 'like' in a sentence. 'He was like, 'I can't believe it'' etc. This is very similar to how they pause, but it's the things people say to get from point A to point B. People who don't do this have often had training or think very hard about what they're going to say before they say it. But people say 'like' or 'and then' or 'well' or 'i realised that' or 'i thought that' etc. to carry them on. Some are more acceptable than others (people do just have realisations for example).

Profanity. How often do they swear, and how intentional is it? Some characters only swear when they get hurt or stub their toe or get angry. Some characters swear all the time for fun. Some characters only use some swear words and not others. Be specific. Be aware that some swear words are cultural! This includes blasphemy. In Faerun they use 'gods' and 'gods damn it' more often than we use 'god' or 'oh my god.'

Vulgarity. This is useful for Raphael (and Astarion) because he's very happy to be vulgar. This is like... how comfortable are they talking about sex, about sexual subjects, being crude, being seductive, flirtatious? And if they use it, do they use vulgarity to shock, seduce, scare, threaten, or for humour?

Salutations and farewells. How do they greet people? Silence? A calm hello? (A lot of greetings are omitted in dialogue but this is still good to know). How do they say hello, goodbye. How does that change between friends and enemies and strangers?

Single word sentences. This might sound weird, but sometimes when a character hears something that shocks them, or needs to acknowledge something, they may say anything from 'huh' to 'yeah' to 'fuck' to 'okay' to 'all right' to 'sure' to 'go on' to 'indeed' to just laughing out loud. The list goes on. Raphael is team 'indeed' lmao.

Sentence structure. Raphael's sentence structure is - when he's most comfortable - gently provoking, teasing, vaguely threatening, and makes liberal use of simile, metaphor, fairy tale, rhyme, sayings, colloquialisms and more. Raphael talks like someone who knows someone could quote him at any moment lmao. But from here, how a character structures their sentences can be helpful to know. Go back to 'the tone of their voice.' Those notes will give you an idea of structure.

Emotionality. How emotional are they? Do they have rage rants? Joyful giggling dialogue? Do they infodump with little emotion? Or with sheer excitement? Does their dialogue feel fake or real? Opaque or transparent? Some people wear their hearts on their sleeves, and others will never be able to say 'I love you' in anything other than actions. Raphael's emotionality in dialogue is more present in his anger and irritation, and also when he feels triumphant and/or turned on.

The symbols, sayings, colloquialisms and metaphors themselves. Not all characters use these. But some people/characters will talk through analogies, colloquialisms. This is actually Raphael's biggest dialogue departure from Astarion, imho, aside from the fact that Astarion is a lot more emotional with his dialogue.

Take into account their culture, ethnicity, conceits, upbringing, education and the people they're close to:

This one is vital. Firstly, some people tend to 'absorb' elements of those around them. A person raised by affluent people will often 'sound affluent' and a person raised in poverty will often have dialogue that reflects this and if they don't there will be reasons for that. It might be a conceit (some people self-teach themselves different accents), it might be education, it might be training, it might be the subculture/s they've entered into, and so on.

~

When doing this research, you'll end up with a kind of master-list of actual words and probably some sentences you've written down, along with a lot of notes. You can also do this for any original characters you're making at all, you're just then making it up based on the character, and this research will also give in many ways the shape of the character.

It's a fun exercise and I highly recommend everyone tries it literally for people who don't exist and also observe your friends and family, and do a dialogue cheat sheet for some of them. It's pretty eye-opening! Even one page will teach you more than nothing at all. You can go deep and write many pages, or you can do what I do and keep it lean at 2 pages. Anyone who struggles with characterisation I suggest at least try this exercise, because anyone can put on a YouTube video and/or streaming service or even a favourite Tiktoker and start doing dialogue research! It's a way of building a character from the top down while also getting information about their foundations.